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" Every day we should hear at least one good song , read one good poem , see one exquisite picture , and , if possible , speak a few sensible words . " Johann Wolfgang von Goethe "

Thursday, 7 June 2012

' The Procuress' Gerrit van Honthorst , Dutch (1590-1656) Oil on panel , 1625 . Centraal Museum , Utrecht ..

Gerrit van Honthorst - The Matchmaker The Procuress happily points to the smart young man, presumably a customer who quite visibly holds his purse in his left hand. With his other hand he gestures towards the girls lute , while the girl too , her décolletage roguishly displayed by the candlelight , points towards her instrument. The strong emphasis laid on the lute suggests that the instrument here has the more vulgar, and very common, significance of vagina . (The Dutch word 'luit' can mean either) Under an elegant veil , the painting thus illustrates - and by implication - condemns illicit love. This painting is an excellent example of van Honthorst's familiar devise: placing a silhouetted figure in the foreground....Gerrit van Honthorst was a leading member of the 'Utrecht' school influenced by the Italian painter Caravaggio. He was born in Utrecht (1590) as the son of a textile painter . His younger brother Willem also became a painter . Van Honthorst was apprenticed to Abraham Bloemaert, the most celebrated master in Utrecht. He went to Italy around 1610-1615 when Caravaggio's influence there was at its height. In Italy, van Honthorst aquired the nickname 'Gherdo delle Notte', because his figures are often portraid in the darkness of night.

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